The subtitle of Kurt Cobain: Montage of Heck comes from the handwritten label on a cassette that was part of a collection of recordings, notebooks and art that filmmaker Brett Morgen had access to for this extraordinary documentary. It’s a wonderfully appropriate title for a film that succeeds on many levels. It’s a profile of one of the most important artists of the late 20th century. It’s an experimental film that weaves together original animation with media artifacts, new interviews, audio montage, concert footage and home videos. It’s an immersive exploration of the artistic psyche and how it confronts adversity. Seeing the film presented by Morgen at the True/False Film Fest, I also came to see it as gift to a child who lost her father and whose life was a media spectacle before she was even born.
Read the essay at The Talkhouse.